Envision Arts Magazine, Volume 6
Review Of Wrapping And Unveiling By Jay Youngdahl, Independent Curator
A Gift Worth Seeing: a review of Wrapping and Unveiling
Saugerties, NY December 1, 2020---While contemporary artists often work in a multi-disciplinary fashion, combining different media does not always succeed in producing pleasure as well as meaning. One place it does, however, is in Lesley Bodzy: Wrapping and Unveiling at the Emerge Gallery in Saugerties, NY. For the viewer, Bodzy’s works are thought provoking as well as pleasurable to view.
The show contains over thirty works by Bodzy, and includes paintings and sculptural wall hangings, made of a variety of materials. The works are experiments in production for Bodzy, as with each piece she embarks “upon a journey of discovery, for myself and for the viewer.”
Bodzy, who has mastered many artistic as well as business and legal skills in her life, splits her time between Houston and New York City. An artist deeply focused on craft, she considers herself a painter; yet, her recent work often canters in a three dimensional direction. In the most arresting works in this exhibition, malleable paint skins of various hues and sizes are displayed as folds and coverings, allowing the attributes of the paint to shine through while showcasing mystery and meaning that emanate from the hidden below. The paint skins undulate over whatever is behind, showing a glimpse of surrealism’s influence on Bodzy. Her wrapped objects show as undefined enigmas, inviting one along a pathway of reflections. They allow a viewer to traverse personal multitudes of meanings, a useful exercise in these fraught times.
Skins come in many guises, from bodies to taxidermy and on to Bodzy’s malleable poured paint. As she works with skins, she has studied their use by other artists, especially others working today. The work of Angel Otero, who is currently showing in New York City, is an example, as are the works of the South African artist Nandipha Mntambo. Mntambo is known for her sculptural works, where she often uses cow skins for her material.
As befits Bodzy’s time in the MFA program at the Art Institute of Chicago, a number of influences from the art history canon can be seen. One is reminded of the work, L’Enigme d’Isidore Ducasse, 1920, by Man Ray, in which Ray wrapped a sewing machine in a blanket and tied it with string, foreshadowing the conceptual movement. Artists like Rene Magritte and Christo/Jeanne Claude have successfully employed wrapping techniques as well.
While meaningful works often do not concern themselves with phenomenological pleasure, Bodzy’s do. Bodzy, though, is quick to say that she does not focus on “beauty” but on perception, attention and mystery. Yet her show traverses the line between conceptual and decorative art, making her pieces comfortable in a home or gallery space, especially since Bodzy knows color.
Viewing the exhibition, the folds in the sculptural skins reminded me of the viewer of the folds of the garments in a Bernini sculpture, vigorously emotive and alluring. At this fraught time, art that can remind us, even just a little, of the beauty we would see in a visit to Rome’s Borghese Museum is a gift worth unwrapping.
“Lesley Bodzy: Wrapping and Unveiling” runs virtually through February 15, 2021 at Emerge Gallery in Saugerties, NY.
Her work can also be seen in this virtual gallery
Lesley Bodzy Discusses Her Exhibit, Absence and Presence, at the Linda Matney Gallery
Press Release for Wrapping and Unveiling Exhibition at Emerge Gallery in Saugerties, NY
Houston’s Ultimate Art Stroll Takes Over Sawyer Yards Inside the City's Art Alley By Matthew Ramirez // 04.24.19
Posted on February 14, 2018 by Howard Fielding Wait…you will WANT to drive to this ‘Mixmaster’ By Tracy O'Shaughnessey | Republican-American